Disclaimer
These images may be used in newspaper and magazine articles, TV programs and websites when covering TEFAF art fairs. There is no fee charged for using the photos. However please always credit the photographer, exhibitor and the artist if stated. Duplication and commercial use are prohibited.
Agree and download
Back
4 months 24 days and 16 hours
until TEFAF Maastricht 2022
hNL-4 kopie.jpg
Atmosphere_Tefaf_NY_Fall19_MarkNiedermann_1399.jpg
Atmosphere_Tefaf_NY_Fall19_MarkNiedermann_1425.jpg

KEEP UP WITH STORIES

Interview with Gary and Anita Klesch

“The number one rule is you have to fall in love with a painting.”

Living with Chinese Art with Vanderven Oriental Art

Floris van der Ven from Vanderven Oriental Art takes us on a tour around the spacious gallery in ‘s-Hertogenbosch, The Netherlands and shows us an exclusive behind the scenes in the life of an art dealer.

Japanese Glass Art by Niyoko Ikuta with Wahei Aoyama

A Lighthouse called Kanata, formerly known as Yufuku Gallery, was founded in 1993 to introduce contemporary Japanese art and aesthetics to a global audience.

Book of Hours from King Charles VIII with Les Enluminures

Sandra Hindman from Les Enluminures shares the intimate book of hours of King Charles VIII of France.

TEFAF Vetting: Truth, Transparency, and Trust

An experience above the rest.

Tiffany’s Fireplace Hood Reunited with Treasures from Artist’s Homes

Rarely do examples of Louis Comfort Tiffany’s (1848–1933) most personal, and arguably most creative, works of art come to the market. But, in the fall of 2019 Lillian Nassau LLC unveiled a Tiffany treasure at TEFAF.

Interview with Patricia Cisneros

“I would encourage people to look deep into their souls” : Collector, Patricia Cisneros on responsibility to cultural history.

Interview with Carrie Rebora Barratt

An offer so tantalizing she couldn’t refuse.

Mentink & Roest

Menno Hoencamp from Mentink & Roest shares a closer look inside this very rare clock by George Prior.

Hemmerle’s aquamarine necklace

Christian Hemmerle from Hemmerle, shares about the details behind the craftsmanship of the blue aquamarine necklace showcased from TEFAF Maastricht 2020.

“…packed with the utmost care and without the slightest damage…”

AXA XL: Safety in Art Transport

Van Cleef & Arpels

President & CEO of Van Cleef & Arpels, Nicolas Bos, talks about the House’s Heritage collection and the place of jewelry being a form of Decorative Arts at TEFAF

Lillian Nassau Rediscovers a Tiffany Fireplace Hood

The Morse Museum has dedicated most of its collection to the preservation of art, furniture and objects from Laurelton Hall, it seemed like the perfect fit for this highly important Tiffany masterpiece.

Interview with Jennifer Mass

Narrowing the gap: Science and the Art Market.

Mauritshuis Reunites Bridal Couple

Twenty years ago, the museum curators discovered that a pendant portrait originally belongs with Elisabeth’s portrait, depicting her fiancé: Jakob Omphalius. Would it ever be seen again? To the museum’s delight it recently turned up at Galerie De Jonckheere.

Van Gogh in Paris with Hammer Gallery

Howard Shaw from Hammer Gallery shares what Van Gogh would have most likely seen when he visited Paris in 1886. This period of Van Gogh’s life is pivotal to his works as an artist.

Modernity Stockholm

Take a look inside design gallery Modernity Sockholm. Andrew Duncanson, founder of Modernity Stockholm, talks about the history of Modernity, their locations in Stockholm and London and several highlighted objects.

The Restoration of LACMA’s ‘Pieta’ by Melchor Pérez Holguín

Considering its age, the work is in good condition, but it requires a careful restoration, which is in progress under Joseph Fronek, Head of Paintings Conservation.

Auguste Rodin : Eve’s despair after the fall of man

John Swarbrooke from Dickinson Gallery explains the beauty and play of light behind the cast of Auguste Rodin’s Eve.

Art in Public: Redefining History, Memory, Identity

In 2018, the removal of Confederate monuments, both officially and through acts of resistance, and who and how to memorialize were our focus.

Kejia Wu

An art market emerging before our eyes

The Restoration of Frank Lloyd Wright’s The Kaufmann Office for Victoria and Albert Museum

The office is unique in that it retains all of its original woodwork, furniture, carpets and upholstery textiles. It was designed by Wright for his most distinguished patron, department store owner Edgar J. Kaufmann (1885–1955).

Judging Art: Vetting in the World’s Top Museums, Art Fairs and Collections

This panel of specialists reveals their own backstage stories about how certain outstanding objects were chosen and others eliminated and the difficult decision-making that is a part of the process.

Stone and Faith: Rebuilding Notre Dame

Notre Dame’s reconstruction whether viewed through a spiritual, aesthetic, or historic lens, will continue to fascinate and frustrate us. It will also yield practical lessons about a host of preservation, heritage, and its institutional role in the city itself.

Retrieving Lost Identities: The Black Figure in Art, Past and Present

One of the most urgent and compelling topics shaping the art world today is the pictorial representation of the black figure— a complex and highly charged subject whose dynamics extend far beyond the studio, gallery, and classroom.